HITCHCOCK'S SHIT

hoppip:

Scene comparison of Victor Sjöström’s ‘The Phantom Carriage’  (1921) and Stanley Kubrick’s famous scene of ‘The Shining’ (1980). (Link)

My Last Semester

I would really like to get the fuck outta this place so I can start life, namsayin. The first 18 years of life are preparing for it, then you get to start meeting your real friends and actually living the life that you want to live. 

Theres so much to do out there, I just wanna get going. All of these people who I grew up with in school, they are like distant relatives. I don’t get to choose if I want to see them, I just see them. 5 days a week. For the past 13 years. 

No disrespect, but I’m fucking done with most of these peeps. Nothing against them either, just we aren’t the same type of people. I wanna get going and connect with mofuckas, and connect with things that I want to do, and get some actual fervor up in this joint.

Most of deez people are friendly but there isn’t any sustenance to their words. It’s just little mouth farts, contributing more CO2 to the atmosphere. 

Almost word for word experience of what I’m going through: 

http://www.youtube.com/watch?v=2U5XUj3DDb8

Its two more days till I see them live. If they play this, good luck getting me down because I’m going to be in a perpetual state of crowdsurfing

maudit:

The Making of The Shining by Vivian Kubrick (x)

fuckyeahgodofmischief:

How do you find reactions from fans or kids to Loki’s character?

TOM HIDDLESTON: Mark Ruffalo’s son. I kind of dedicate my performance to his son, his ten-year old, because he was on set a lot.  Joss Whedon and Kevin Feige, the producer, they were enormously supportive on set.  They were very complimentary when they liked something that I was doing.  I would do a take, and they would say, “Awesome.  You got it.  Let’s — “  And Kevin Feige would be like, “God, that was great.  Let’s move on.”  And you get on with the day.  The days that Mark’s son was there, he was like, “Awesome job, Tom. We got it.  Let’s move on.”  Kevin would say the same thing, and then Mark’s son would say, “Oh, my God!  Tom!  That was incredible!  That was the most awesome thing I have ever seen!”  And I’m like, “I am doing this for you.”  And, you know, there were days when Mark would come in with him just to watch, because he wanted to watch.  He’d be like, “I’m sorry.  We’re here again.  He just loves you.”  And then you realize that that’s the power that these films can have.

It’s such a beautiful thing.  It’s a really amazing privilege.



Fucking A

thetangential:

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